Isolina Ballesteros
Nombre:
Isolina
Apellidos:
Ballesteros
Sexo:
Mujer
Categoría profesional:
Assistant Professor
Hispanista Emérito:
No
Universidad/Centro de investigación:
City University of New York
Departamento/Centro:
Department of Modern Languages and Comparative Literature, Baruch College
País:
Estados Unidos
Estado:
Nueva York
Página de internet personal:
Trabajos publicados:
- “Cine de (In)Migración: documentales europeos de la inmigración latinoamericana.” Dossier “Cine, exilios y migraciones,” Migraciones & Exilios (Journal of the Asociación para el Estudio de los Exilios y Migraciones Ibéricos Contemporáneos (AEMIC), 13 (2012).
- “El exilio en el cine español: el regreso imposible.” Exilio y Cine, Prensas de la Universidad de Deusto. San Sebastián, Spain, 2012.
- “Women on the Verge of a Nervous Breakdown: from Madrid (1988) to New York (2010).” A Companion to the Cinema of Pedro Almodóvar. Eds Kathy Vernon & Marvin D’Lugo. Blackwell Publishing, 2012.
- “Feminine Spaces of Memory: Mourning and Melodrama in Para que no me olvides (2005) by Patricia Ferrerira.” Essays on Hispanic and Lusophone Women Filmmakers. Eds. Julián Daniel Gutiérrez Albilla and Parvati Nair. Manchester University Press, 2012. 63-81.
- “Female Transnational Migrations and Diasporas in European “Immigration Cinema”,” Exile through a Gendered Lens: Women’s Displacement in Recent European History, Literature and Cinema. Eds. Gesa Zinn and Maureen Tobin Stanley. New York: Palgrave Macmillan, 2012. 143-168
- “Immigration Cinema” in/and the European Union.” Cultural and Media Studies. European Perspectives Vol I. Ed. María Pilar Rodríguez. Reno, Nevada: University of Nevada Press (forthcoming 2009).
- “Performing Identities in the Cinema of Pedro Almodóvar.” All about Almodóvar. A Passion for Cinema. Eds. Bradley S. Epps & Despina Kakoudaki. University of Minnesota Press: 71-100.
- “Foreign and Racial Masculinities in Spanish Immigration Film.” Studies in Hispanic Cinemas 3.3 (2006): 169-185.
- “Embracing the Other: The Feminization of Spanish ‘Immigration cinema’.” Studies in Hispanic Cinemas 2.1 (2005): 3-14.
- “Screening African Immigration to Spain: Las cartas de Alou and Bwana.” Chasqui; revista de literatura latinoamericana. Special Issue 2 (2005): Bridging Continents: Cinematic and Literary Representations of Spanish and Latin American Themes. Eds. Nora Glickman & Alejandro Varderi: 48-61.
- “Pedro Almodóvar: From Transgression to Canon.” Cinematic. The Harvard Annual Film Review 3 (2005): 21-23.
- “La exhumación de la memoria histórica: nostalgia y utopía en Soldados de Salamina (Javier Cercas 2001, David Trueba 2002).” Film-Historia (Online Journal of the Center for Cinematic Research, Universidad Central de Barcelona) 15.1 (2005).
Fuente de información:
Hispanista Histórico:
No
Hispanista:
Si