Currie Kerr Thompson
Nombre:
Currie
Apellidos:
Kerr Thompson
Categoría profesional:
Professor
Hispanista Emérito:
No
Universidad/Centro de investigación:
Gettysburg College.
Departamento/Centro:
Department of Spanish, Gettysburg College [ver información del centro].
País:
Estados Unidos
Estado:
1
Página de internet personal:
Trabajos publicados:
''The Films of María Luisa Bemberg and the Postmodern Aesthetic.'' La CHISPA-95: Selected Proceedings, ed. Clair J. Paolini. (New Orleans : Tulane University, 1995), 367-76.
''Juan Marsé's Teniente Bravo and the Playing Out of History. '' Anales de la Literature Española Contemporánea, 19 (1994), 151-63.
''The House and the Garden : The Architecture of Knowledge and La muerte de Artemio Cruz.'' Hispania, 77 (May 1994), 197-206.
''Galdós's El amigo Manso and the Engendering of Knowledge.'' Revista de Estudios Hispánicos, 28 (1994), 43-64.
''Un lugar en elmundo: the Margins of the Western. ''Romance Languages Annual, V (1993), 518-21.
***''The Look of Argentine Film: From 'New' Cinema to the Postmodernist Gaze.'' Romance Languages Annual, IV (1992), 610-14.
''Juan Marsé.'' Dictionary of the Literature ofthe Iberian Peninsula, eds. Germán Bleiberg, Maureen Ihrie, and Janet Pérez. (Westport, Connecticut: Greenwood Press, 1993), 1022-24.
''El silencio de las sirenas: Adelaida García Morales. Revision of the Feminine 'Seescape'. '' Revista HispánicaModerna, XLV (December 1992), 298-309.
''Against All Odds: Argentine Cinema, 1976-1991.'' Post Script, 11 (summer 1992), 32-45.
''Seeing Ourselves Seeing: Love and Salvation in Ultimas imágenes del naufragio.'' Romance Languages Annual, III, (1991),598-601.
''Juan Marsé's Teniente Bravo and the Playing Out of History. '' Anales de la Literature Española Contemporánea, 19 (1994), 151-63.
''The House and the Garden : The Architecture of Knowledge and La muerte de Artemio Cruz.'' Hispania, 77 (May 1994), 197-206.
''Galdós's El amigo Manso and the Engendering of Knowledge.'' Revista de Estudios Hispánicos, 28 (1994), 43-64.
''Un lugar en elmundo: the Margins of the Western. ''Romance Languages Annual, V (1993), 518-21.
***''The Look of Argentine Film: From 'New' Cinema to the Postmodernist Gaze.'' Romance Languages Annual, IV (1992), 610-14.
''Juan Marsé.'' Dictionary of the Literature ofthe Iberian Peninsula, eds. Germán Bleiberg, Maureen Ihrie, and Janet Pérez. (Westport, Connecticut: Greenwood Press, 1993), 1022-24.
''El silencio de las sirenas: Adelaida García Morales. Revision of the Feminine 'Seescape'. '' Revista HispánicaModerna, XLV (December 1992), 298-309.
''Against All Odds: Argentine Cinema, 1976-1991.'' Post Script, 11 (summer 1992), 32-45.
''Seeing Ourselves Seeing: Love and Salvation in Ultimas imágenes del naufragio.'' Romance Languages Annual, III, (1991),598-601.
Asociaciones a las que pertenece:
American Association of Teachers of Spanish and Portuguese (AATSP) Twentieth Century Spanish Association of America (TCSAA).
Fuente de información:
Hispanista:
Si