Miguel Arnedo Gómez
Nombre:
Miguel
Apellidos:
Arnedo Gómez
Categoría profesional:
Programme Director
Hispanista Emérito:
No
Universidad/Centro de investigación:
Victoria University of Wellington.
Departamento/Centro:
Spanish Programme, Victoria University of Wellington [ver información dle centro].
País:
Nueva Zelanda
Trabajos publicados:
Libro:
Writing Rumba: The Afrocubanista Movement in Poetry. Virginia University Press, 2006.
Artículos y colaboraciones colectivas:
Debates on Racial Inequality and Afro-Cuban Culture in Adelante, en: Bulletin of Spanish Studies, volume LXXXVIII, n.º 5, 2011, págs. 711-735.
Uniting Blacks in a Raceless Nation: Afro-Cuban Reformulations of the Ideology of Mestizaje in 1930s Cuba, en: Journal of Iberian and Latin American Studies.
Afro-Cuban Literature and the Afrocubanista Poetry of Nicolás Guillén, en: Bulletin of Hispanic Studies, volume 85, issue 5, 2008, págs. 561-74.
Notes on the Evaluation of Angel Rama's Concept of Narrative Transculturation and Fernando Ortiz's Definition of the Term 'Transculturation, en: Journal of Latin American Cultural Studies, 17.2, 2008, págs. 185-202.
Reading Testimonio as Narrative Transculturation: Barnet's 'Biografia de un cimarron', en: Conrad James and Stewart Brown (eds.) Writing the Afro-Hispanic: Essays on Africans in Mexico and the Spanish Caribbean. Birmingham: Centre of West African Studies, Birmingham University, forthcoming in 2012.
The Afrocubanista Poetry of Nicolás Guillén and Angel Rama's Concept of Transculturation, en: Afro-Hispanic Review 26.2, 2007, págs. 118-34.
El concepto de las literaturas heterogéneas de Antonio Cornejo Polar y la poesía negrista cubana de los 1930, en: Revista de Crítica Literaria Latinoamericana, págs. 63-64 (2006), págs. 87-103.
Afrocubanista Poetry and Afro-Cuban Performance, en: Modern Language Review, 96.4, 2001, págs. 990-1005.
Arte Blanco con Motivos Negros: Fernando Ortiz's Concept of Cuban National Culture and Identity, en: Bulletin of Latin-American Research, 20.1, 2001, págs. 88-101.
The Portrayal of the Afro-Cuban Female Dancer in Cuban Negrista Poetry, en: Afro-Hispanic Review, 16.2, 1997, págs. 26-33.
Writing Rumba: The Afrocubanista Movement in Poetry. Virginia University Press, 2006.
Artículos y colaboraciones colectivas:
Debates on Racial Inequality and Afro-Cuban Culture in Adelante, en: Bulletin of Spanish Studies, volume LXXXVIII, n.º 5, 2011, págs. 711-735.
Uniting Blacks in a Raceless Nation: Afro-Cuban Reformulations of the Ideology of Mestizaje in 1930s Cuba, en: Journal of Iberian and Latin American Studies.
Afro-Cuban Literature and the Afrocubanista Poetry of Nicolás Guillén, en: Bulletin of Hispanic Studies, volume 85, issue 5, 2008, págs. 561-74.
Notes on the Evaluation of Angel Rama's Concept of Narrative Transculturation and Fernando Ortiz's Definition of the Term 'Transculturation, en: Journal of Latin American Cultural Studies, 17.2, 2008, págs. 185-202.
Reading Testimonio as Narrative Transculturation: Barnet's 'Biografia de un cimarron', en: Conrad James and Stewart Brown (eds.) Writing the Afro-Hispanic: Essays on Africans in Mexico and the Spanish Caribbean. Birmingham: Centre of West African Studies, Birmingham University, forthcoming in 2012.
The Afrocubanista Poetry of Nicolás Guillén and Angel Rama's Concept of Transculturation, en: Afro-Hispanic Review 26.2, 2007, págs. 118-34.
El concepto de las literaturas heterogéneas de Antonio Cornejo Polar y la poesía negrista cubana de los 1930, en: Revista de Crítica Literaria Latinoamericana, págs. 63-64 (2006), págs. 87-103.
Afrocubanista Poetry and Afro-Cuban Performance, en: Modern Language Review, 96.4, 2001, págs. 990-1005.
Arte Blanco con Motivos Negros: Fernando Ortiz's Concept of Cuban National Culture and Identity, en: Bulletin of Latin-American Research, 20.1, 2001, págs. 88-101.
The Portrayal of the Afro-Cuban Female Dancer in Cuban Negrista Poetry, en: Afro-Hispanic Review, 16.2, 1997, págs. 26-33.
Fuente de información:
Hispanista:
Si