Sally Faulkner
Nombre:
Sally
Apellidos:
Faulkner
Sexo:
Mujer
Categoría profesional:
Head of Modern Languages, Professor of Hispanic Studies and Film Studies
Hispanista Emérito:
No
Universidad/Centro de investigación:
University of Exeter
Departamento/Centro:
Modern Languages
País:
Reino Unido
Página de internet personal:
Trabajos publicados:
Libros
Artículos
- Middlebrow Cinema, London, Routledge, 2016.
- A History of Spanish Film: Cinema and Society 1910-2010, New York, Bloomsbury Academic, 2013.
- with Flitter D, Memory and Exile in Twentieth- and Twenty-First Century Spanish Culture. A Special Edition of Journal of Iberian and Latin American Research., Routledge, 2011.
- A Cinema of Contradiction: Spanish Film in the 1960s., Edinburgh University Press, 2006.
- Literary Adaptations in Spanish Cinema., Tamesis-Boydell & Brewer, 2004.
Artículos
- Cinephilia and the unrepresentable in Miguel Gomes' Tabu (2012), Bulletin of Spanish Studies, vol. 92, no. 3, Routledge, 2015, 341-360
- Cinephilia and the Unrepresentable in Miguel Gomes' Tabu (2012), Bulletin of Spanish Studies, 2015
- Cinephilia and the Unrepresentable in Miguel Gomes's Tabu (2012), Bulletin of Spanish Studies: Hispanic studies and researches on Spain, Portugal and Latin America, vol. 93, no. 3, Taylor & Francis (Routledge): SSH Titles, 2015, 341-360
- The Galdós Intertext in Viridiana, A Companion to Luis Buñuel, 2013, 379-398
- with Flitter D, Memory and Exile in Twentieth- and Twenty-First Century Spanish Culture, Journal of Iberian and Latin American Research, vol. 17, no. 1, 2011, 1-3
- Imagining Time, Embodying Time in David Trueba's Soldados de Salamina (2003), Journal of Iberian and Latin American Research, vol. 17, no. 1, 2011, 81-94
- The Dethroned Prince (Miguel Delibes, 1973)/ Daddy's War (Antonio Mercero, 1977): the 'Third Way' and Spanish cinema | El princípe destronado (Miguel Delibes, 1973)/ La guerra de papá (Antonio Mercero, 1977), y la tercera vía del cine espaNol, Arbor, vol. 187, no. 748, 2011, 279-285
- El príncipe destronado (Miguel Delibes 1973) / La guerra de papá (Antonio Mercero 1977) and Third Way Spanish Cinema, Revista Arbor (Centro Superior de Investigaciones Científicas), vol. 187, no. 748, 2011, 279-285
- Lola Cercas en Soldados de Salamina (David Trueba, 2003), Historia Actual Online, vol. 15, 2008, 165-170
- Identity and Nationality in Basilio Martín Patino's Nueve cartas a Berta (1965), Bulletin of Spanish Studies, vol. 83, no. 3, 2006, 383-397
- Ageing and Coming of Age in Carlos Saura's La caza (The Hunt 1965)., MLN, vol. 120, no. 2, 2005, 457-484
- New Spanish Cinema in the 1960s: Interviews with Antxón Eceiza and Julio Diamante, Studies in Hispanic Cinemas, vol. 2, no. 3, 2005, 205-216
- A cinema of contradiction: Picazo's La tía Tula (1964) and the Nuevo Cine EspaNol, Modern Language Review, vol. 99, no. 3, 2004
- A Cinema of Contradiction: La tía Tula (Picazo 1964) and the Nuevo Cine EspaNol., Modern Language Review, vol. 99, no. 3, 2004, 651-664
- The Question of Authenticity: Camus's Film Adaptation of Cela's La colmena, Studies in Hispanic Cinemas, vol. 1, no. 1, 2004, 17-25
Asociaciones a las que pertenece:
Association of Hispanists of Great Britain and IrelandAsociación de GaldosistasBritish Association of Film, Television and Screen Studies
Fuente de información:
Hispanista Histórico:
No
Hispanista:
Si