Andrea Noble
Nombre:
Andrea
Apellidos:
Noble
Categoría profesional:
Professor
Hispanista Emérito:
No
Universidad/Centro de investigación:
University of Durham
Departamento/Centro:
Department of Spanish, University of Durham [ver información del centro].
País:
Reino Unido
Trabajos publicados:
Libros: autora
2010 Photography and Memory in Mexico: Icons of Revolution, Manchester University Press.
2005 Mexican National Cinema, Routledge.
2000 Tina Modotti: Image, Texture, Photography, University of New Mexico Press.
Libros: editora
2008 (coedición en colaboración con J.J. Long y E. Welch) Photography: Theoretical Snapshots, Routledge.
2003 (coedición en colaboración con A. Hughes) Phototextualities: Intersections of Photography and Narrative, University of New Mexico Press.
Ensayos en obras colectivas:
2010 Zapatistas in Mexico City and the Performance of Ethnic Citizenship (en colaboración con R. Young y A. Holmes), en: Cultures of the City: Mediating Identities in Urban Latino/o America, University of Pittsburgh Press, págs. 183-198.
2006 If Looks Could Kill: Image Wars in María Candelaria, en: Catherine Grant y Annette Kuhn. (eds.), Screening World Cinema: A Screen Reader, Routledge, págs. 72-85.
2005 Photography, Memory, Disavowal: the Casasola Archive, en: Andermann, J. y Rowe, W. (eds.), Images of power: Iconography, Culture and the State in Latin America, Berghahn Books, págs. 195-216.
Artículos:
2010 Recognizing Historical Injustice through Photography: Mexico 1968, en: Theory, Culture, Society, n.º 27, págs. 184-213.
2008 Travelling Theories of Family Photography and the Material Culture of Human Rights in Latin America, en: Journal of Romance Studies, n.º 8, págs. 43-59.
2006 Seeing through ¡Que viva Mexico!: Eisenstein's Travels in Mexico, en: Journal of Iberian and Latin American Studies, n.º 12, págs. 173-187.
2006 Vino todo el pueblo: Notes on Monsiváis, Mexican Movies and Movie-Going, en: Bulletin of Latin American Research, n.º 25, págs. 506-511.
2004 Visual Culture and Latin American Studies, en: The New Centennial Review, n.º 4, págs. 219-238.
2010 Photography and Memory in Mexico: Icons of Revolution, Manchester University Press.
2005 Mexican National Cinema, Routledge.
2000 Tina Modotti: Image, Texture, Photography, University of New Mexico Press.
Libros: editora
2008 (coedición en colaboración con J.J. Long y E. Welch) Photography: Theoretical Snapshots, Routledge.
2003 (coedición en colaboración con A. Hughes) Phototextualities: Intersections of Photography and Narrative, University of New Mexico Press.
Ensayos en obras colectivas:
2010 Zapatistas in Mexico City and the Performance of Ethnic Citizenship (en colaboración con R. Young y A. Holmes), en: Cultures of the City: Mediating Identities in Urban Latino/o America, University of Pittsburgh Press, págs. 183-198.
2006 If Looks Could Kill: Image Wars in María Candelaria, en: Catherine Grant y Annette Kuhn. (eds.), Screening World Cinema: A Screen Reader, Routledge, págs. 72-85.
2005 Photography, Memory, Disavowal: the Casasola Archive, en: Andermann, J. y Rowe, W. (eds.), Images of power: Iconography, Culture and the State in Latin America, Berghahn Books, págs. 195-216.
Artículos:
2010 Recognizing Historical Injustice through Photography: Mexico 1968, en: Theory, Culture, Society, n.º 27, págs. 184-213.
2008 Travelling Theories of Family Photography and the Material Culture of Human Rights in Latin America, en: Journal of Romance Studies, n.º 8, págs. 43-59.
2006 Seeing through ¡Que viva Mexico!: Eisenstein's Travels in Mexico, en: Journal of Iberian and Latin American Studies, n.º 12, págs. 173-187.
2006 Vino todo el pueblo: Notes on Monsiváis, Mexican Movies and Movie-Going, en: Bulletin of Latin American Research, n.º 25, págs. 506-511.
2004 Visual Culture and Latin American Studies, en: The New Centennial Review, n.º 4, págs. 219-238.
Fuente de información:
Hispanista:
Si