Abigail Lee Six
Nombre:
Abigail
Apellidos:
Lee Six
Categoría profesional:
Professor
Hispanista Emérito:
No
Universidad/Centro de investigación:
University of London, Royal Holloway College
Departamento/Centro:
School of Modern Languages, Literatures and Cultures, University of London, Royal Holloway College [ver información del centro]
Trabajos publicados:
Juan Goytisolo: The Case for Chaos.London: Yale University Press, 1990.
Goytisolo: Campos de Níjar, en: Critical Guides to Spanish Texts, n.º 59, London: Grant & Cutler, 1996.
Beyond Words: Valera's Use of Gaze in 'Pepita Jiménez', en: Journal of Hispanic Research, n.º 3, 1994-95, págs. 251-58.
Medusa's Gaze and Mother's Voice: Clarín's Construction of Gender in 'Su único hijo', en: Culture and Gender in Nineteenth-Century Spain, Jo Labanyi y Lou Charnon-Deutsch (eds.), Oxford: OUP, 1996, págs. 199-215.
'Spain' en: Oxford Guide to Contemporary Writing. Oxford: OUP, 1996, págs. 377-90.
***
La oscura historia del primo Paco/Francesc: Code-switching in Juan Marsé, La oscura historia de la prima Montse, en: Bulletin of Hispanic Studies (Liverpool) (in press).
Blind Woman's Buff: Optical Illusions of Feminist Progress in Juan Marsé, 'El amante bilingüe', en: Tesserae (in press).
'Buenos seamos, que Dios nos ve': La madre naturaleza and Foucault's Panopticon, en: Modern Language Review (in press).
Upgrade Your Spanish. London: Arnold, 2001.
Men's Problems: Feelings and Fatherhood in 'El Sur' by Adelaida García Morales and 'París' by Marcos Giralt Torrente, en: Bulletin of Spanish Studies, n.º 79, 2002, págs. 753-770.
***
Home and Away: 'Con la miel en los labios' by Esther Tusquets in the light of 'En la ciudad sin mar', en: Hispanic Research Journal, n.º 3, 2002, págs. 31-42.
Why Giselle? Tusquets's Use of the Ballet in 'Siete miradas en un mismo paisaje', en: Crossing Fields in Hispanic Culture. Legenda, European Humanites Research Centre, University of Oxford, 2003, págs. 155-164.
Goytisolo: Campos de Níjar, en: Critical Guides to Spanish Texts, n.º 59, London: Grant & Cutler, 1996.
Beyond Words: Valera's Use of Gaze in 'Pepita Jiménez', en: Journal of Hispanic Research, n.º 3, 1994-95, págs. 251-58.
Medusa's Gaze and Mother's Voice: Clarín's Construction of Gender in 'Su único hijo', en: Culture and Gender in Nineteenth-Century Spain, Jo Labanyi y Lou Charnon-Deutsch (eds.), Oxford: OUP, 1996, págs. 199-215.
'Spain' en: Oxford Guide to Contemporary Writing. Oxford: OUP, 1996, págs. 377-90.
***
La oscura historia del primo Paco/Francesc: Code-switching in Juan Marsé, La oscura historia de la prima Montse, en: Bulletin of Hispanic Studies (Liverpool) (in press).
Blind Woman's Buff: Optical Illusions of Feminist Progress in Juan Marsé, 'El amante bilingüe', en: Tesserae (in press).
'Buenos seamos, que Dios nos ve': La madre naturaleza and Foucault's Panopticon, en: Modern Language Review (in press).
Upgrade Your Spanish. London: Arnold, 2001.
Men's Problems: Feelings and Fatherhood in 'El Sur' by Adelaida García Morales and 'París' by Marcos Giralt Torrente, en: Bulletin of Spanish Studies, n.º 79, 2002, págs. 753-770.
***
Home and Away: 'Con la miel en los labios' by Esther Tusquets in the light of 'En la ciudad sin mar', en: Hispanic Research Journal, n.º 3, 2002, págs. 31-42.
Why Giselle? Tusquets's Use of the Ballet in 'Siete miradas en un mismo paisaje', en: Crossing Fields in Hispanic Culture. Legenda, European Humanites Research Centre, University of Oxford, 2003, págs. 155-164.
Asociaciones a las que pertenece:
Association of Hispanists of Great Britain and Ireland (Asoc)
Fuente de información:
Hispanista:
Si