Lawrence La Fountain-Stokes
Nombre:
Lawrence
Apellidos:
La Fountain-Stokes
Sexo:
Hombre
Categoría profesional:
Professor of Spanish / Former Director, Latina/o Studies Program
Hispanista Emérito:
No
Universidad/Centro de investigación:
University of Michigan
Departamento/Centro:
Department of Romance Languages and Literatures, University of Michigan [ver información del centro].
País:
Estados Unidos
Estado:
Míchigan
Página de internet personal:
Trabajos publicados:
1999. «1898 and the History of a Queer Puerto Rican Century: Imperialism, Diaspora, and Social Transformation». CENTRO: Journal of the Center for Puerto Rican Studies 11(1): 91-110.
2002. «Dancing La Vida Loca: The Queer Nuyorican Performances of Arthur Avilés and Elizabeth Marrero». En Queer Globalizations: Citizenship and the Afterlife of Colonialism, comp. Arnaldo Cruz-Malavé y Martin Manalansan, IV, 162-75. New York: New York University Press.
2002. «De un pájaro, las dos alas: Travel Notes of a Queer Puerto Rican in Havana». GLQ: A Journal of Lesbian and Gay Studies 8(1-2): 7-33.
2003. «Tomboy Tantrums and Queer Infatuations: Reading Lesbianism in Magali García Ramis's Felices días, tío Sergio». En Tortilleras: Hispanic and U.S. Latina Lesbian Expression, comp. Lourdes Torres e Inmaculada Pertusa-Seva, 47-67. Philadelphia: Temple University Press.
2004. «De sexilio(s) y diáspora(s) homosexual(es) latina(s): El caso de la cultura puertorriqueña y nuyorican "queer"». Debate feminista [México] 15(29): 138-57.
2005. «Cultures of the Puerto Rican Queer Diaspora». En Passing Lines: Sexuality and Immigration, comp. Brad Epps, Keja Valens yy Bill Johnson González, 275-309. Cambridge, MA: David Rockefeller Center for Latin American Studies and Harvard University Press.
2005. «Entre boleros, travestismos y migraciones translocales: Manuel Ramos Otero, Jorge Merced y El bolero fue mi ruina del Teatro Pregones del Bronx». Revista Iberoamericana 71(212): 887-907.
2005. «Pop-Shock: Shifting Representations of Diasporic Puerto Rican Women's Queer Sexualities in U.S. Latina Cultural Texts». Letras femeninas 31.1 (Verano): 79-98.
2006. «La política queer del espanglish». Debate feminista [México] 17.33 (abril): 141-53.
2007. «Puerto Rican Queer Sexualities: Introduction». (Con Luis Aponte-Parés, Jossianna Arroyo, Elizabeth Crespo-Kebler y Frances Negrón-Muntaner.) CENTRO: Journal of the Center for Puerto Rican Studies 19.1 (Spring): 4-24.
2007. «Queer Ducks, Puerto Rican Patos, and Jewish American Feygelekh: Birds and the Cultural Representation of Homosexuality». CENTRO: Journal of the Center for Puerto Rican Studies 19.1 (Spring): 192-229.
2009. Queer Ricans: Cultures and Sexualities in the Diaspora. Minneapolis: University of Minnesota Press.
2017. Co-editor, Keywords for Latina/o Studies. New York: New York University Press.
2018. Escenas transcaribeñas: ensayos sobre teatro, performance y cultura. San Juan: Isla Negra Editores.
2002. «Dancing La Vida Loca: The Queer Nuyorican Performances of Arthur Avilés and Elizabeth Marrero». En Queer Globalizations: Citizenship and the Afterlife of Colonialism, comp. Arnaldo Cruz-Malavé y Martin Manalansan, IV, 162-75. New York: New York University Press.
2002. «De un pájaro, las dos alas: Travel Notes of a Queer Puerto Rican in Havana». GLQ: A Journal of Lesbian and Gay Studies 8(1-2): 7-33.
2003. «Tomboy Tantrums and Queer Infatuations: Reading Lesbianism in Magali García Ramis's Felices días, tío Sergio». En Tortilleras: Hispanic and U.S. Latina Lesbian Expression, comp. Lourdes Torres e Inmaculada Pertusa-Seva, 47-67. Philadelphia: Temple University Press.
2004. «De sexilio(s) y diáspora(s) homosexual(es) latina(s): El caso de la cultura puertorriqueña y nuyorican "queer"». Debate feminista [México] 15(29): 138-57.
2005. «Cultures of the Puerto Rican Queer Diaspora». En Passing Lines: Sexuality and Immigration, comp. Brad Epps, Keja Valens yy Bill Johnson González, 275-309. Cambridge, MA: David Rockefeller Center for Latin American Studies and Harvard University Press.
2005. «Entre boleros, travestismos y migraciones translocales: Manuel Ramos Otero, Jorge Merced y El bolero fue mi ruina del Teatro Pregones del Bronx». Revista Iberoamericana 71(212): 887-907.
2005. «Pop-Shock: Shifting Representations of Diasporic Puerto Rican Women's Queer Sexualities in U.S. Latina Cultural Texts». Letras femeninas 31.1 (Verano): 79-98.
2006. «La política queer del espanglish». Debate feminista [México] 17.33 (abril): 141-53.
2007. «Puerto Rican Queer Sexualities: Introduction». (Con Luis Aponte-Parés, Jossianna Arroyo, Elizabeth Crespo-Kebler y Frances Negrón-Muntaner.) CENTRO: Journal of the Center for Puerto Rican Studies 19.1 (Spring): 4-24.
2007. «Queer Ducks, Puerto Rican Patos, and Jewish American Feygelekh: Birds and the Cultural Representation of Homosexuality». CENTRO: Journal of the Center for Puerto Rican Studies 19.1 (Spring): 192-229.
2009. Queer Ricans: Cultures and Sexualities in the Diaspora. Minneapolis: University of Minnesota Press.
2017. Co-editor, Keywords for Latina/o Studies. New York: New York University Press.
2018. Escenas transcaribeñas: ensayos sobre teatro, performance y cultura. San Juan: Isla Negra Editores.
Asociaciones a las que pertenece:
American Studies Association (ASA)
American Comparative Literature Association (ACLA)
Association for Theater in Higher Education (ATHE)
Caribbean Studies Association (CSA)
Center for Lesbian and Gay Studies, CUNY (CLAGS)
Instituto Internacional de Literatura Iberoamericana (IILI)
Latin American Studies Association (LASA)
Modern Language Association (MLA)
Puerto Rican Studies Association (PRSA)
American Comparative Literature Association (ACLA)
Association for Theater in Higher Education (ATHE)
Caribbean Studies Association (CSA)
Center for Lesbian and Gay Studies, CUNY (CLAGS)
Instituto Internacional de Literatura Iberoamericana (IILI)
Latin American Studies Association (LASA)
Modern Language Association (MLA)
Puerto Rican Studies Association (PRSA)
Fuente de información:
El propio hispanista. https://lsa.umich.edu/rll/people/faculty/lawrlafo.html
Hispanista Histórico:
No
Hispanista:
Si