Belén Vidal
Nombre:
Belén
Apellidos:
Vidal
Sexo:
Mujer
Categoría profesional:
Senior Lecturer in Film Studies
Hispanista Emérito:
No
Universidad/Centro de investigación:
King's College
Departamento/Centro:
Department of Film Studies. Faculty of Arts and Humanities
País:
Reino Unido
Página de internet personal:
Trabajos publicados:
Monografías:
VIDAL, B., Heritage Film: Nation, Genre and Representation. Nueva York: Columbia University Press, 2012.
—, Figuring the Past: Period Film and the Mannerist Aesthetic. Ámsterdam: Amsterdam University Press, 2012.
—, Textures of the Image: Rewriting the American Novel in the Contemporary Film Adaptation. Valencia: Valencia University Press, 2002.
Contribuciones en monografías:
VIDAL, B., «Radical Politics, Middlebrow Cinema: Salvador (Puig Antich) and the Search for a New Consensus», en Faulkner, S. (ed.), Middlebrow Cinema. Oxon y Nueva York: Routledge, 2016, pp. 156-177.
—, «Introduction: the biopic and its critical contexts», y «Morgan/Sheen: the compressed frame of impersonation», en Brown, T. y Vidal, B. (eds.), The biopic in contemporary film culture. Nueva York: Routledge, 2013, pp. 1-32 y 140-158.
—, «Memories of Underdevelopment: “Torremolinos 73”, Cinephilia, and Filiation at the Marins of Europe», en Vidal, B., Iordanova, D. y Martin-Jones, D. (eds.), Cinema at the Periphery. Detroit: Wayne State University Press, 2010, pp. 211-231.
—, «Love, loneliness and laundromats: affect and artifice in the cinema of Isabel Coixet», en Beck, J. y Rodríguez Ortega, V. (eds.), Contemporary Spanish cinema and genre. Mánchester: Manchester University Press, 2008, pp. 219-238.
—, «Playing in a Minor Key: the Literary Past through the Feminist Imagination», en Aragay, M. (ed.), Books in Motion: Adaptation, Intertextuality, Authorship. Ámsterdam: Rodopi, 2006, p. 263-285.
Artículos en revistas:
VIDAL, B., «The cinephilic citation in the essay films by José Luis Guerin and Isaki Lacuesta», Journal of Spanish Cultural Studies, 15, 3, 2014, pp. 373-393.
—, «Feminist historiographies and the woman artist’s biopic: the case of “Artemisia”», Screen, 48, 1, 2007, pp. 69-90.
—, «Labyrinths of loss: The letter as figure of desire and deferral in the literary film», Journal of European Studies, 36, 4, 2006, pp. 418-436.
—, «Classic adaptations, modern reinventions: reading the image in the contemporary literary film», Screen, 43, 1, 2002, pp-5-18.
VIDAL, B., KOURELOU, O. y LIZ, M., «Crisis and Creativity: The New Cinemas of Portugal, Greece and Spain», New Cinemas Journal of Contemporary Film, 12, 1-2, 2014, pp. 133-151.
VIDAL, B., Heritage Film: Nation, Genre and Representation. Nueva York: Columbia University Press, 2012.
—, Figuring the Past: Period Film and the Mannerist Aesthetic. Ámsterdam: Amsterdam University Press, 2012.
—, Textures of the Image: Rewriting the American Novel in the Contemporary Film Adaptation. Valencia: Valencia University Press, 2002.
Contribuciones en monografías:
VIDAL, B., «Radical Politics, Middlebrow Cinema: Salvador (Puig Antich) and the Search for a New Consensus», en Faulkner, S. (ed.), Middlebrow Cinema. Oxon y Nueva York: Routledge, 2016, pp. 156-177.
—, «Introduction: the biopic and its critical contexts», y «Morgan/Sheen: the compressed frame of impersonation», en Brown, T. y Vidal, B. (eds.), The biopic in contemporary film culture. Nueva York: Routledge, 2013, pp. 1-32 y 140-158.
—, «Memories of Underdevelopment: “Torremolinos 73”, Cinephilia, and Filiation at the Marins of Europe», en Vidal, B., Iordanova, D. y Martin-Jones, D. (eds.), Cinema at the Periphery. Detroit: Wayne State University Press, 2010, pp. 211-231.
—, «Love, loneliness and laundromats: affect and artifice in the cinema of Isabel Coixet», en Beck, J. y Rodríguez Ortega, V. (eds.), Contemporary Spanish cinema and genre. Mánchester: Manchester University Press, 2008, pp. 219-238.
—, «Playing in a Minor Key: the Literary Past through the Feminist Imagination», en Aragay, M. (ed.), Books in Motion: Adaptation, Intertextuality, Authorship. Ámsterdam: Rodopi, 2006, p. 263-285.
Artículos en revistas:
VIDAL, B., «The cinephilic citation in the essay films by José Luis Guerin and Isaki Lacuesta», Journal of Spanish Cultural Studies, 15, 3, 2014, pp. 373-393.
—, «Feminist historiographies and the woman artist’s biopic: the case of “Artemisia”», Screen, 48, 1, 2007, pp. 69-90.
—, «Labyrinths of loss: The letter as figure of desire and deferral in the literary film», Journal of European Studies, 36, 4, 2006, pp. 418-436.
—, «Classic adaptations, modern reinventions: reading the image in the contemporary literary film», Screen, 43, 1, 2002, pp-5-18.
VIDAL, B., KOURELOU, O. y LIZ, M., «Crisis and Creativity: The New Cinemas of Portugal, Greece and Spain», New Cinemas Journal of Contemporary Film, 12, 1-2, 2014, pp. 133-151.
Fuente de información:
Hispanista Histórico:
No
Hispanista:
Si