Elizabeth Cruz Petersen

Women’s Somatic Training in Early Modern Spanish Theater (Routledge Press, 2017)

“Ana Caro’s Valor, agravio y mujer (Mis)Interpreted: A Look at Leonora in Ian Borden’s “Agravio.” Living the Comedia and Peculiar Lives in Early Modern Spain: Essays Celebrating Amy Williamsen, edited by Esther Fernández and J. Yuri Porras, UP of the South, 2020, pp 113-23.

“A Look at Three Career-Oriented Women: María Álvarez, Bárbara Coronel, and Fabiana Laura.” Women Warriors in Early Modern Spain: A Tribute to Bárbara Mujica. Edited by Susan Fischer and Frederick de Armas, U of Delaware P, 2019, pp. 105- 118.

“Swordplay Uncloaked: Women as Active Agents in Ana Caro’s Valor, agravio, y mujer and Lope de Vega’s La pobreza estimada.” Comedia Performance, vol. 16, no. 1, 2019, pp. 86-102.

"New Art of Bodily Care in the Works of Lope de Vega and López Pinciano.” Journal of Somaesthetics, vol. 3, no. 1 & 2, 2017, pp. 129-39.

“Reinventing Herself: María Álvarez’s Legacy as Actor, Director, Mentor.” Comedia Performance, vol. 14, no. 1, 2017, pp. 152-77.

“A Mindful Audience: Embodied Spectatorship in Early Modern Madrid.” Cognitive Approaches to Early Modern Spanish Literature. Eds. Julien Simon and Isabel Jaén Portillo. Oxford UP, 2016, pp. 111-27.

“El arte nuevo de traducir Lo fingido verdadero.” Comedia Performance, vol. 8, no. 1, 2011, pp. 113-50.

“Designed For An Experience: The Natural Architecture of Corrales.” Comedia Performance, vol. 7, no. 1, 2010, pp. 168-97.

“El esclavo del Demonio. Almagro, Spain.” Comedia Performance, vol. 8, no. 1, 2011, pp. 261-65.

“El caballero de Olmedo, Washington, D.C.” Comedia Performance, vol. 8, no. 1, 2011, pp. 266-71.