Marsha Kinder
Nombre:
Marsha
Apellidos:
Kinder
Sexo:
Mujer
Categoría profesional:
Emerita Professor of Film and Media Studies, Comparative Literature and Spanish
Hispanista Emérito:
Sí
Universidad/Centro de investigación:
University of Southern California
Departamento/Centro:
School of Cinematic Arts
País:
Estados Unidos
Estado:
California
Página de internet personal:
Trabajos publicados:
Monografías:
KINDER, M. Blood Cinema. The reconstruction of National Identity in Spain. Berkeley, Los Ángeles, Londres: University of California Press, 1993.
—. Refiguring Spain. Cinema/Media/Representation. Durham (NC): Duke University Press, 1997.
—. Luis Buñuel's The Discreet Charm of the Bourgeoisie. Cambridge (RU): Cambridge University Press, 1999.
Capítulos de monografías:
KINDER, M., «All about the Brother: Retroseriality in Almodovar's Cinema», en EPPS, B. y KAKOUDAKI, D. (eds.), All about Almodóvar: A Passion for Cinema. Minneapolis: University of Minnesota Press, 2009, pp. 267-294.
—, «El perro negro: Transnational Readings of Database Documentaries from Spain», en IMRE, A., A Companion to Eastern European Cinemas. Hoboken (NJ): Wiley-Blackwell, 2012, pp. 41-62.
—, «The Road and the Room. Narrative Drive in the Films of Luis Buñuel», en STONE, R. y GUTIÉRREZ-ALBILLA, J. D., A Companion to Luis Buñuel. Oxford (RU): Blackwell Publishing Ltd, 2013, pp. 431-453.
—, «Re-envoicements and Reverberations in Almodóvar's Macro-Melodrama», en D'LUGO, M. y VERNON, K. M., A Companion to Pedro Almodóvar. Oxford (RU): Blackwell Publishing Ltd, 2013, pp. 279-303.
Artículos:
KINDER, M., «Hot Spots, Avatars and Narrative Fields Forever: Buñuel's Legacy for Digital Culture», Film Quarterly, verano 2002, pp. 6-8
—, «Reinventing the Motherland: Almodóvar's Brain-Dead Trilogy», Film Quarterly, vol 58, n. 2 (invierno 2004), pp. 9-25.
KINDER, M. Blood Cinema. The reconstruction of National Identity in Spain. Berkeley, Los Ángeles, Londres: University of California Press, 1993.
—. Refiguring Spain. Cinema/Media/Representation. Durham (NC): Duke University Press, 1997.
—. Luis Buñuel's The Discreet Charm of the Bourgeoisie. Cambridge (RU): Cambridge University Press, 1999.
Capítulos de monografías:
KINDER, M., «All about the Brother: Retroseriality in Almodovar's Cinema», en EPPS, B. y KAKOUDAKI, D. (eds.), All about Almodóvar: A Passion for Cinema. Minneapolis: University of Minnesota Press, 2009, pp. 267-294.
—, «El perro negro: Transnational Readings of Database Documentaries from Spain», en IMRE, A., A Companion to Eastern European Cinemas. Hoboken (NJ): Wiley-Blackwell, 2012, pp. 41-62.
—, «The Road and the Room. Narrative Drive in the Films of Luis Buñuel», en STONE, R. y GUTIÉRREZ-ALBILLA, J. D., A Companion to Luis Buñuel. Oxford (RU): Blackwell Publishing Ltd, 2013, pp. 431-453.
—, «Re-envoicements and Reverberations in Almodóvar's Macro-Melodrama», en D'LUGO, M. y VERNON, K. M., A Companion to Pedro Almodóvar. Oxford (RU): Blackwell Publishing Ltd, 2013, pp. 279-303.
Artículos:
KINDER, M., «Hot Spots, Avatars and Narrative Fields Forever: Buñuel's Legacy for Digital Culture», Film Quarterly, verano 2002, pp. 6-8
—, «Reinventing the Motherland: Almodóvar's Brain-Dead Trilogy», Film Quarterly, vol 58, n. 2 (invierno 2004), pp. 9-25.
Fuente de información:
Hispanista Histórico:
No
Hispanista:
No