Tara Plunkett

Preservation, Radicalism and the Avant-Garde Canon, co-edited with Fiona Noble and Rebecca Ferreboeuf (Milton Keynes: Palgrave Macmillan, 2016) ‘Riding Along the Edge: The Shifting Subjectivities of Leonora Carrington’s Hybrids’, Leonora Carrington: Living Legacies (Vernon Press: forthcoming) ‘Melusina after the scream: Surrealism and the Hybrid Bodies of Leonora Carrington and Remedios Varo’, Bulletin of Spanish Studies, XCV, No. 5 (2018), 1-18. 'Dissecting The Holy Oily Body: Remedios Varo, Leonora Carrington and El Santo Cuerpo Grasoso' in Jonathan P. Eburne and Catriona McAra (eds). Leonora Carrington and the International Avant-Garde. (Manchester: Manchester University Press, 2016), pp.99-123. 'Exquisite Encounters with the Avant-Gardes', co-authored with Rebecca Ferreboeuf and Fiona Noble in Preservation, Radicalism and the Avant-Garde Canon. (Milton Keynes: Palgrave Macmillan, 2016), pp.4-12. ‘‘Había necesidad de romper para siempre’: The conflicted imagery of Federico García Lorca’s Suicidio en Alejandría’ in The European Avant-Garde: Text and Image (Newcastle: Cambridge Scholars Press, 2012), 33-51.